BeachTek DXA-2T
There are 2 XLR inputs with level controls, mic and line input switches, mono and stereo output switch, and a dual mode ground switch for eliminating ground hum and noise. The DXA-2T is easy to install, simply attach the unit to the base of the camera and connect the 1/8" output to the camera's input. The DXA-2T features a tripod socket at the base, allowing the DXA-2T and camcorder to be mounted onto a tripod.
The PM351, like its predecessor the PM350b, is a personal monitoring device with a 1/4" TRS stereo/mono Line Input,a single XLR Microphone input and hard-wired XLR pass-through, and a 1/4" stereo/mono Instrument input with two transformer-balanced and isolated XLR Outputs. All three of these inputs are also routed via individual Level controls, to a 1/4" and an 1/8" (3.5mm) Phone Output. The Mic Through, and Instrument outputs have jumpered Ground Lifts for elimination of ground hum. The PM351 is ideal for live bands and church musicians, as well as studio musicians and singers. Having the ability to monitor a main mix along with the musician's voice and their instrument make the PM351 an effective and versatile tool.
Shure FP33 3-Channel Stereo MixerThe FP33 is a 3-input, 2 output, portable stereo mixer specifically designed for remote audio recording, electronic field production, electronic news gathering, and location film production. FP33 features include: High-quality, sealed input potentiometers, Dynamic range of over 100dB 48V phantom, 12V phantom power, and 12V T (A-B) power, LED indicators of input levels, output peaks, limiter action, and low battery. Pop-up pan pots and a link switch to couple inputs 2&3 into a stereo pair, Mix Bus to connect an additional FP33 or FP32A, comprehensive headphone monitoring control including headphone MS stereo matrix, internal DIP switches for over 4,000 customized setups. The FP33 has an exceptionally low self-noise and a wide dynamic range that are perfect for use with DAT and other digital recording media.
When you see the price attached to the SCM268 microphone mixer, you'd never guess that there are six transformers inside: four transformer balanced XLR microphone-level inputs, one transformer balanced XLR mic/line output, and one internal low stray field, toroidal power transformer. Nor would you expect that the six transformers are just the start of what makes the SCM268 such a great value. But, then again, it's a Shure. So you've come to expect this kind of commitment to affordable quality. So Many Benefits. So Little Space All those audio transformers provide protection from RF interference, prevent ground loops, and make the SCM268 exceptionally quiet. The internal toroidal power transformer means you no longer have to deal with that annoying "wall wart." Add to this a rugged half-rack chassis -- with exceptionally solid rack mounting hardware -- and the SCM268 will easily fit into the widest range of smaller applications, such as:
Part of Shure's Growing Line Of Quality "SCM" Mixers For over a generation, Shure mixers, as well as a host of other Shure products, have been chosen for installed sound applications with unparalleled peace-of-mind. The SCM268 continues this tradition of quality performance at a great value. If you want half a dozen transformers in ahalf-rack space, choose the SCM268. You will be wholly satisfied. The SCM268 fits into a half-rack space and includes all the necessary rack mounting hardware.
M367 Six Input Portable MixerThe Shure Model M367 is a six-input, portable microphone mixer/remote amplifier specifically designed for professional applications in electronic news gathering (ENG), electronic field production (EFP) and general audio mixing. Exceptional low-noise design makes the M367 ideal for use with digital transmission links and digital video/audio recording media, including ISDN and DAT. Compact and rugged, the M367 is built to withstand the most demanding field production conditions. In addition, its excellent performance, versatility and features make it an ideal choice for studio, remote, or sound reinforcement use, and as an add-on mixer for expanding existing facilities. Each M367 handles up to six microphones or line-level signals. Any
high-quality, low-impedance, balanced microphone using a dynamic or condenser* transducer (including wireless and
shotgun types) can be used. Additional M367 or other Shure mixers can be linked using the rear-panel mix bus
jacks.
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